Katie Goodwin (UK) ‘I have been described as a cinematic magpie. Most of my source material is gleaned from the cutting room floor of the film production process. I seek to reveal the stuff that the audience never sees, reprocessing and exposing moments that would otherwise be lost forever. Recycling waste and celebrating hidden labour are persistent intentions in my practice. Rescuing a moment or object and reanimating it is a form of bringing it alive – a kind of memento vivere. As my practice develops the found footage is more widely sourced from the scientist’s laboratory or amateur filmmaker’s attic or a chance junk market find from the anonymous auteur, but continues to explore the fetishisation and tangibility of a rare and unseen object.
She is being shown with Outcasting in the blinc cinema Pop-Up truck
